From Sacred Harp to Byzantine Chant: Inculturation and Formation of Orthodox Communion in Alaska

Author

• Ava OrtweinFollow

Date of Award

Spring 5-9-2026

Document Type

Undergraduate Thesis

Department

Philosophy and Religion

First Advisor

Mary Thurlkill

Second Advisor

Obianuju Akunna Njoku

Third Advisor

Nancy Maria Balach

Relational Format

Dissertation/Thesis

Abstract

This thesis will explore how Eastern Orthodoxy has been embraced by some native Appalachians, which has led to a convergence of musical trends as a regional phenomenon. It argues that parts of Appalachia are embracing Orthodoxy, especially as noted through converging musical structures. Through an examination of countries which have accepted Orthodoxy, I emphasize inhabitants’ agency and free acceptance of the Eastern Church, especially through convergence of musical traditions. I also analyze lived experience in Sacred Music within this Appalachian Orthodox Context rather than formal music theory. The research incorporates a diverse range of scholars including ethnomusicologists, historians, Orthodox theologians, musicologists, Church Fathers, and other related specialists. Two books were used which documented in real time the experiences of Orthodox converts in the regional south. The research conclusively points to the common occurrence of a culture or group of people becoming Orthodox while still retaining much of the central nature of their self-identification. I end by summarizing my findings and answering how Appalachia has begun to embrace the Orthodox Church.

Recommended Citation

Ortwein, Ava, "From Sacred Harp to Byzantine Chant: Inculturation and Formation of Orthodox Communion in Alaska" (2026). Honors Theses. 3609.
https://egrove.olemiss.edu/hon_thesis/3609