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Southern Anthropologist

Abstract

(Winning Entry 2002 SAS Student Paper Competition: Undergraduate) The punk subculture of Washington, D.C., proclaims a strong, anti-commercial, anti-consumerism, and anti-capitalism sentiment. Operating as a separate network of bands and listeners from the major record labels of the U.S., the subculture attempts to challenge the role of profit in musical production. The creation of CDs, T-shirts, and other commodities by the subculture suggests otherwise, but through its independent network of bands, labels, and venues, these commodities circulate at a lower cost than those within its parent culture. In emphasizing artistic credibility over profit, the ideals of the subculture attempt to challenge those of the profit-oriented music and fashion industries of mainstream America.

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