Commentary by Big Bill Broonzy on racism and leaving the South

Other Form of Name

Lomax, Alan, 1915-2002; Broonzy, Big Bill, 1893-1958

Identifier

TD102R02; FRID (Lomax Number) 11961

Creation Date

3-2-1947

City

New York (N.Y.)

Disclaimer

Some of the images and language that appear in the digital collections depict prejudices that are not condoned by the University of Mississippi. This content is being presented as historical documentation to aid in the understanding of both American history and the history of the University of Mississippi. The University Creed speaks to our current deeply held values, and the availability of this content should not be taken as an endorsement of previous attitudes or behavior.

Description

In 1947, using his own Presto disc recording machine, Alan Lomax recorded bluesmen Big Bill Broonzy (1893-1958), Memphis Slim (1915-1988), and Sonny Boy Williamson (1914-1948) at Decca Studios in New York City, after they had given a concert at Town Hall. In a session of candid oral history and song, the three artists explain the origin and nature of the blues. 'They began with blues as a record of the problems of love and women in the Delta world,' Lomax wrote. 'They explored the cause of this in the stringent poverty of black rural life. They recalled life in the Mississippi work camps, where the penitentiary stood at the end of the road, waiting to receive the rebellious. Finally, they came to the enormities of the lynch system that threatened anyone who defied its rules.' The interviews were issued in a fictionalized form in Common Ground (1948) under the title 'I Got the Blues,' but they were deemed so controversial that their album release was delayed for ten years. When United Artists finally issued them on LP as Blues in the Mississippi Night in 1959, Alan used pseudonyms to protect the artists and their families. (See the Blues in the Mississippi night CD [Rounder 1860])

Subject Headings (Library of Congress)

Race relations; Racism; Segregation -- Southern States;Blues (Music); Blues musicians

Relational Format

audio recording

Extent

04:01

Original Collection

Alan Lomax Recordings

Comments

Blues In the Mississippi Night interviews 3/47. Lomax Classification: spoken; personal narrative. Lomax Collection Title: New York Blues Interviews 1947;. Recording Note: Big Bill Broonzy discusses the racism he encountered after returning from the army. He also talks about his first wife and when they met in Blythesville. He left the South and his wife because he didn't want to be bossed around anymore after he returned from the army. Session Note:

Rights

Media files in this collection are owned by the Association for Cultural Equity and made available solely for personal use. Copy or capture of media files is prohibited. Due to copyright concerns, the recordings in this collection can only be accessed by arrangement with the Department of Archives and Special Collections.

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