Riley

Other Form of Name

Lomax, Alan, 1915-2002; Jones, Bessie, 1902-1984

Identifier

T1816R20; FRID (Lomax Number) 10308

Creation Date

8-1-1965

City

New York (N.Y.)

Disclaimer

Some of the images and language that appear in the digital collections depict prejudices that are not condoned by the University of Mississippi. This content is being presented as historical documentation to aid in the understanding of both American history and the history of the University of Mississippi. The University Creed speaks to our current deeply held values, and the availability of this content should not be taken as an endorsement of previous attitudes or behavior.

Description

A concert of Southern African American 'antebellum musical traditions' held in New York City's Central Park at the height of the Civil Rights era, in the summer of 1965. Produced by Joseph Papp's New York Shakespeare Festival in cooperation with the Newport Folk Foundation, the concert was directed by Ralph Rinzler and MC'd by Alan Lomax. It featured the Georgia Sea Island Singers (Bessie Jones, John Davis, Peter Davis, Emma Ramsay, and Mable Hillery), Ed Young's Southern Fife and Drum Corps, and Reverend Gary Davis. Fred McDowell's name appeared on the promotional material for the concert but he apparently cancelled. The performers give commentary on their material. Joan Halifax assisted Lomax with the recording and tape box notes. This concert was ostensibly the second the Shakespeare Festival and Newport Foundation produced that summer, with a Newport Folk Festival Preview held a month earlier. (Original note)

Subject Headings (Library of Congress)

Blues (Music); Blues musicians

Relational Format

audio recording

Extent

01:58

Original Collection

Alan Lomax Recordings

Comments

Central Park Concert 8/65. Lomax Classification: chantey; work song. Lomax Collection Title: Central Park Concert 1965. Recording Note: Alan Lomax: 'Audience laughter, but John (is) great.' [Tape box]

Rights

Media files in this collection are owned by the Association for Cultural Equity and made available solely for personal use. Copy or capture of media files is prohibited. Due to copyright concerns, the recordings in this collection can only be accessed by arrangement with the Department of Archives and Special Collections.

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