Books by Mississippi Writers 1996-2010
Preview
Creation Date
9-1-2002
Description
A Novel by William Faulkner First published 1936 Random House (Hardcover, $22.00, ISBN: 0375508724, 9/2002) One of Faulkner’s greatest novels, Absalom, Absalom! recounts the story of Thomas Sutpen, born into a poor farm family in western Virginia in the early 1800s who runs away with plans to create a vast “design” of wealth and power. When he appears in Yoknapatawpha County, Mississippi (Faulkner’s apocryphal setting for most of his novels), he carves out of the wilderness a vast plantation, marries a local shopkeeper’s daughter, and settles into the life of a planter when his wife bears him two children, Henry and Judith. But when Henry brings home Charles Bon, a classmate from the University of Mississippi, who becomes romantically engaged with Judith, Sutpen’s design begins to unravel. On the eve of the Civil War, Henry spurns his birthright, and together he and Bon leave. It is only after the war, after Henry and Bon have served together in the same regiment throughout the war, that one of the central mysteries of the novel emerges: why did Henry shoot Charles Bon at the gate of Sutpen’s mansion? The present-day of the novel is 1909-10 and is told primarily by contemporaries, including Rosa Coldfield, the fiercely proud sister of Sutpen’s wife, a spinster who after her sister’s death spurns Sutpen’s rude sexual advances; Jason Compson, a confirmed cynic and nihilist who did not witness the key events befalling the Sutpen family but heard most of them from his father; Quentin Compson, Jason’s son, a romantic young man who is drawn into the Sutpen saga against his will by Rosa Coldfield, but once he is involved he must follow it to its logical end; and Quentin’s roommate at Harvard, the Canadian Shreve McCannon, who along with Quentin feels compelled to complete the saga by any means necessary. These memorable characters not only recount historically factual information about Sutpen’s story; they also freely add to it and change it in order for it to make sense. The novel, then, which is a compelling exploration of Southern history, race, and gender, is likewise a powerful statement about how we interpret the past and impart meaning to it. —John B. Padgett
Relational Format
image