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Description
Dramatist Douglas Turner Ward's innovative play Day of Absence first premiered in November 1965 in New York City and has seen a recent national revival, having been staged by theatre companies in Berkeley, New York, Washington, D. C., Omaha, and Chicago, as well as the Maitisong Festival in Gaborone, Botswana. It stands as a creative response to the African American civil rights situation after the 1964 act. Ward explores questions of Black labor and mobility and, in doing so, creates opportunities to invert the dynamics that have historically characterized U. S. society.
Publication Date
9-24-2020
Relational Format
journal article
Disciplines
American Studies | Race, Ethnicity and Post-Colonial Studies
Recommended Citation
Avilez, GerShun, "Vanishing Acts: Civil Rights Reform and Dramatic Inversion in Douglas Turner Ward's Day of Absence" (2020). Study the South. 6.
https://egrove.olemiss.edu/studythesouth/6
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