Part 2: Introduction and Welcome Back
Presentation Type
Presentation
Start Date
8-3-2025 7:50 AM
Description
Introduction by Dr. Kris Belden-Adams, Associate Professor of Art History, University of Mississippi, Oxford, MS., U.S.A. and Dr. Rose Teanby, Independent Scholar and Fellow of the Royal Photographic Society, Nottingham, United Kingdom
Dr. Kris Belden-Adams is an Associate Professor of Art History at the University of Mississippi and was the Dorothy Kayser Hohenberg Research Chair of Excellence in Art History at the University of Memphis (2023-2024). She is the author of Photography, Temporality, Modernity: Time Warped (2019), and Photography, Eugenics, ‘Aristogenics’: Picturing Privilege (2020). In addition, she is the Editor in Chief of Art Inquiries journal, and an editor and contributor to the volumes Photography and Failure: One Medium’s Incessant Entanglement with Mishaps, Flops, and Disappointments (2017), and Diverse Histories in Photographic Albums: ‘These Are Our Stories’ (2022). With Dr. Karen Barber, Belden-Adams is a Content Co-Editor for Smarthistory’s/Khan Academy’s coverage on the history of photography. She earned a PhD in Art History at the City University of New York – Graduate Center.
Dr. Rose Teanby is an independent photographic historian specialising in early British women photographers. She is a Fellow of the Royal Photographic Society and Associate Fellow of the Royal Historical Society. Rose gained her PhD at the Photographic History Research Centre, De Montfort University, Leicester, researching early British women photographers 1839-1861. She originally trained as a professional photographer, gaining a Diploma in Photography in 1983 and in 2015 one of her portraits was acquired by the National Portrait Gallery, London. Rose contributed two essays to the 2022 edited publication A World History of Women Photographers and has contributed online articles to the Journal of Victorian Culture, The Royal Society, V&A, National Portrait Gallery and Linnean Society. She has contributed to the journal PhotoHistorian and recently published research inCulture.
Rose has presented her research online and in person at conferences including Women, Work and Commerce in the Creative Industries: Britain, 1750-1950 (Westminster University, 2019), A New Power (Bodleian Library, Oxford 2023), and Women and Worlds of Learning (Oxford University, 2024).
Relational Format
Conference proceeding
Recommended Citation
Belden-Adams, Kris and Teanby, Rose, "Part 2: Introduction and Welcome Back" (2025). Women of Photography: A 24-Hour Conference-a-thon Celebrating International Women’s Day 2025. 23.
https://egrove.olemiss.edu/womenofphotography/2025/schedule/23
Part 2: Introduction and Welcome Back
Introduction by Dr. Kris Belden-Adams, Associate Professor of Art History, University of Mississippi, Oxford, MS., U.S.A. and Dr. Rose Teanby, Independent Scholar and Fellow of the Royal Photographic Society, Nottingham, United Kingdom
Dr. Kris Belden-Adams is an Associate Professor of Art History at the University of Mississippi and was the Dorothy Kayser Hohenberg Research Chair of Excellence in Art History at the University of Memphis (2023-2024). She is the author of Photography, Temporality, Modernity: Time Warped (2019), and Photography, Eugenics, ‘Aristogenics’: Picturing Privilege (2020). In addition, she is the Editor in Chief of Art Inquiries journal, and an editor and contributor to the volumes Photography and Failure: One Medium’s Incessant Entanglement with Mishaps, Flops, and Disappointments (2017), and Diverse Histories in Photographic Albums: ‘These Are Our Stories’ (2022). With Dr. Karen Barber, Belden-Adams is a Content Co-Editor for Smarthistory’s/Khan Academy’s coverage on the history of photography. She earned a PhD in Art History at the City University of New York – Graduate Center.
Dr. Rose Teanby is an independent photographic historian specialising in early British women photographers. She is a Fellow of the Royal Photographic Society and Associate Fellow of the Royal Historical Society. Rose gained her PhD at the Photographic History Research Centre, De Montfort University, Leicester, researching early British women photographers 1839-1861. She originally trained as a professional photographer, gaining a Diploma in Photography in 1983 and in 2015 one of her portraits was acquired by the National Portrait Gallery, London. Rose contributed two essays to the 2022 edited publication A World History of Women Photographers and has contributed online articles to the Journal of Victorian Culture, The Royal Society, V&A, National Portrait Gallery and Linnean Society. She has contributed to the journal PhotoHistorian and recently published research inCulture.
Rose has presented her research online and in person at conferences including Women, Work and Commerce in the Creative Industries: Britain, 1750-1950 (Westminster University, 2019), A New Power (Bodleian Library, Oxford 2023), and Women and Worlds of Learning (Oxford University, 2024).
Comments
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