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The Problem of Alice Kerr: Tracing a ‘Lost’ Victorian Photographer

Presenter Information

Meg Dolan, University of St. Andrews

Presentation Type

Presentation

Start Date

8-3-2025 9:40 AM

Description

Meg Dolan, Ph.D. Candidate, University of St. Andrews, Scotland

The Problem of Alice Kerr: Tracing a ‘Lost’ Victorian Photographer

Lady Alice Kerr (later Gaisford) was an amateur photographer working in Britain the 1860s. Kerr and her work are largely unknown, and there is no scholarship devoted solely to her. However, there is evidence to suggest she was photographing alongside the likes of Julia Margaret Cameron and Oscar Gustave Rejlander at Little Holland House, the centre of Kensington’s social and artistic society in the early 1860s. In this paper, I will present my findings on Kerr to shed light on her life, work, and networks. I will also use my research into Kerr as a lens to identify ways in which we can resurrect histories of ‘forgotten’ photographers, and to detail the challenges that stand in the way.

Meg Dolan is a PhD Candidate in the University of St Andrews School of Art History and is Collections Development Manager at Edinburgh Printmakers. She researches depictions of archetypal women in early British narrative photography. Find her @megdolan on Bluesky and Instagram and @megdolanphoto on Twitter.

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Mar 8th, 9:40 AM

The Problem of Alice Kerr: Tracing a ‘Lost’ Victorian Photographer

Meg Dolan, Ph.D. Candidate, University of St. Andrews, Scotland

The Problem of Alice Kerr: Tracing a ‘Lost’ Victorian Photographer

Lady Alice Kerr (later Gaisford) was an amateur photographer working in Britain the 1860s. Kerr and her work are largely unknown, and there is no scholarship devoted solely to her. However, there is evidence to suggest she was photographing alongside the likes of Julia Margaret Cameron and Oscar Gustave Rejlander at Little Holland House, the centre of Kensington’s social and artistic society in the early 1860s. In this paper, I will present my findings on Kerr to shed light on her life, work, and networks. I will also use my research into Kerr as a lens to identify ways in which we can resurrect histories of ‘forgotten’ photographers, and to detail the challenges that stand in the way.

Meg Dolan is a PhD Candidate in the University of St Andrews School of Art History and is Collections Development Manager at Edinburgh Printmakers. She researches depictions of archetypal women in early British narrative photography. Find her @megdolan on Bluesky and Instagram and @megdolanphoto on Twitter.