2026

24-hour conference commencing at 12.01am UTC, 8th March 2026

In celebration of International Women’s Day, March 8, 2026, we will feature the work of photography scholars, practitioners, and enthusiasts in a free, online, global, 24-hour symposium dedicated to celebrating the contributions of women to the medium of photography from photography’s announcement in 1839 to contemporary practitioners. This unique event aims to highlight the diverse and impactful work of women and female-identifying photographers, and those working with photography, across many different cultures and time zones.

NOTE: All time zones enter 8th March, International Women’s Day, from 8-11 am UTC.

The talks, speakers, and UTC times are listed below. Links provide detailed abstracts, speakers’ locations, academic/professional affiliations, and a brief biography.

All branding and graphic design was donated to the event by Tyler Barnes.

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Schedule
2026
Sunday, March 8th
12:00 AM

Introduction: Conference Organizers' Welcome

Rose Teanby
Kris Belden-Adams, Texas A&M University

12:00 AM

12:09 AM

Whiteout: Photography in Antarctica; Panel Discussion

Geoffrey Batchen
Anne Noble
Joyce (Jo) Campbell
Elizabeth Watkins

12:09 AM

1:11 AM

Traces of Light: Women in Early Photography of China

Stacey Lambrow

1:11 AM

1:31 AM

Quiet Resilience: Alternative Modernity in Xu Xiaoxiao's "Ki Ki So So Lhargyalo"

Chuqi Min, Rice University

1:31 AM

1:31 AM

Slow Burn: Women and Photography from Te Papa's Collection

Lissa Mitchell, Te Papa Tongarewa

1:31 AM

1:51 AM

Panel: Women in Photobooths

Catlin Langford
Ruth O'Leary
Katherine Griffiths

1:51 AM

1:51 AM

Photomediating Together: Collective Photowalks and Photomontage

Marita Ibañez Sandoval

1:51 AM

4:06 AM

Homai Vyarawalla: The Lady with the Lens

Nabanita Mitra, Women’s Christian College

4:06 AM

4:28 AM

Contemporary Encounters with Ethnographic Photography in Britain and the Balkans

Jelena Sofronijevic

4:28 AM

4:48 AM

Excess, Embodiment, and Exposure: Zarina Bhimji in the 1980s

Grace Xiao, University of California, Davis

4:48 AM

5:08 AM

Lost in the Blur: The Rediscovery of Betti Mautner’s Photographic Legacy

Stefanie Pirker

5:08 AM

5:28 AM

The African Female Gaze: Identity, Memory, Diaspora, and Resistance

Alessandra Migani

5:28 AM

5:48 AM

Panel: Fotografiste: Locating Women Photographers in Pre- and Post-Unification Italy (1840s–1920s)

Nicoletta Leonardi, Accademia di Belle Arti di Brera
Beatrice Lattanzi, IMT School for Advanced Studies Lucca
Agnese Ghezzi, Free University of Bozen-Bolzano

5:48 AM

6:48 AM

Between Theory and Practice: The Impact of Paola Mattioli's Works on Italian Photography and Feminism

Emma Colombi, University for Foreigners of Perugia

6:48 AM

7:08 AM

Constructing Femininity under Fascism: Ghitta Carell, Female Imaginaries, and Competing Visual Models

Bianca Ceriani, Roma Tre University

7:08 AM

7:30 AM

Looking with a Feminist Eye: Swedish Photography and the Politics of the Gaze (1970s–1990s)

Ekaterina Skorokhodova, Paris Nanterre University

7:30 AM

7:50 AM

Pia Arke and Maud Sulter's Decolonial Visions Through Photography

Brenda Bikoko, Sint-Lucas Antwerpen

7:50 AM

8:10 AM

Out of the Shadows, Into Focus: The Case of Jane Clifford

Rachel Bullough Ainscough

8:10 AM

8:30 AM

Panel: Framing the Front – Women Photographers and the Spanish Civil War

María de los Santos García Felguera, Complutense University, Madrid
Lourdes Delgado, Escola Superior de Disseny i d'Arts Plàstiques de Catalunya
Marta López Beriso, University of San Diego

8:30 AM

9:30 AM

A Forgotten Pioneer: Maria da Conceição de Lemos Magalhães and Women's Place in International Pictorialism

Susana Lourenço Marques, University of Porto
Emília Tavares, National Museum of Contemporary Art (Lisbon)

9:30 AM

9:50 AM

Candelaria Tello Valladares: A Female Entrepreneur and Photographer in Rural Spain at the Turn of the Century

Azahara Lozano Dorado, University of Seville

9:50 AM

10:10 AM

Making the Invisible Visible: Patricia Aridjis’s Documentary Lens on Mexico’s Marginalized Women

Eunice Miranda Tapia, University of Seville

10:10 AM

10:30 AM

Acland to Yevonde: A Feminist Historiography of Colour Photography

Emery Walshe

10:30 AM

10:50 AM

The Many Faces of Barbara Ker-Seymer: British Modernist Photographer of the 1930s

Clive Coward

10:50 AM

11:12 AM

The Role of Georgia O'Keeffe in Photography Conservation: A Pioneer Ahead of Her Time

Mireya Arenas Patiño
María Sobrino Estalrich

11:12 AM

11:32 AM

Lady Researchers Wanted for Lady Photographers: Mrs. Strong and the Bertolacci Sisters

Annebella Pollen, University of Brighton
Jayne Knight, National Trust

11:32 AM

11:52 AM

Panel: “Herstory: A Female-Only Endeavor?”

Nicole Hudgins, University of Baltimore
Clare Freestone, National Portrait Gallery
Anna Sparham, National Trust
Kris Belden-Adams, Texas A&M University
Rose Teanby

11:52 AM

12:32 PM

Unexpectedly Unearthing Three Victorian Female Stereoscopic Photographers

Rebecca Sharpe, Brian May Archive of Stereoscopy

12:32 PM

12:52 PM

Making Female Labour Visible: Eileen “Dusty” Deste

Sophie Piper

12:52 PM

1:12 PM

Rosalind Maingot (1893–1957): A Woman of Many Parts

Pamela Glasson Roberts

1:12 PM

1:32 PM

Constructive Collaborations in Early Colour Photography

Janine Freeston

1:32 PM

1:52 PM

Writing Photography from the Household: Thereza Dillwyn Llewelyn / T. Story-Maskelyne and the Gendered Historiography of Image-Making

Haohao Zhang

1:52 PM

2:12 PM

Pamela Booth (1914–1981): One of Fifty Women

Deborah Ireland

2:12 PM

2:32 PM

Framing Ownership: Tracing the Creative and Commercial Lives of Women Photographers through Copyright Records, 1880–1912

Katherine Howells, National Archives (U.K.)

2:32 PM

2:52 PM

THE:Theatre to PHO:Photography: Billie Love and Anna Shepherd in the Picture Library

Francesca Issatt, National Science and Media Museum, Bradford (U.K.)

2:52 PM

3:12 PM

Ursula Clark: Architectural Photographer

David Barber

3:12 PM

3:32 PM

Out of the Studio: Female Photographers in the RIBA Collections

Valeria Carullo, Royal Institute of British Architects

3:32 PM

3:52 PM

A Women's Auxiliary Air Force’s Tale: The Knicky Chapman Collection

Gary Winter, Historic England Archive

3:52 PM

4:14 PM

“Dirty Work” for a Woman: Exploring the Life and Career of Daguerreotypist Sarah Garrett Hewes

Sarah J. Weatherwax, Library Company of Philadelphia

4:14 PM

4:34 PM

Simulating Sight and Reclaiming Memory: Ana Alesanco’s Photographic Reimagining of Her Mother’s Blindness in Magna

Edurne Beltran de Heredia Carmona, Coastal Carolina University

4:34 PM

4:54 PM

Prolific, Artistic, and Overlooked: Annie Powell (1859–1952) and an Accidental Photo Historian

Bernie Zelitch, By Annie Powell

4:54 PM

5:14 PM

From Home Demonstration to Migrant Mother: How the Cooperative Extension Service's Female Agents Pioneered Documentary Image Making

Kate Fogle

5:14 PM

5:34 PM

Through the Lens of Renee Cox

Elizabeth Carmel Hamilton, Fort Valley State University

5:34 PM

5:54 PM

Love and Solidarity in Nina Berman's An Autobiography of Miss Wish

Linda Steer, Brock University

5:54 PM

6:14 PM

Margaret Watkins: Feeling through the Archive

Charlotte Beyries, Art Gallery of Ontario

6:14 PM

6:34 PM

Josefina Oliver: A Hidden Photographer and Artist

Patricia Viaña

6:34 PM

6:54 PM

A Claim to Equality of the Sexes: A Woman Daguerreian Voice in Mid-19th Century Americas

Carlos G. Vertanessian

6:54 PM

7:16 PM

Panel: Female Lenses – Women Photography Historians in Mexico

ERA Colectivo

7:16 PM

8:36 PM

Mother St. Croix: Ursuline Nun and Pioneering Photographer in Late 19th-Century New Orleans

Amber Shields Johnson

8:36 PM

8:56 PM

Contradictory perspectives: Miwa Yanagi’s Elevator Girls

Linda Levitt, Stephen F. Austin State University

8:56 PM

9:16 PM

An Art of Grief: Kia LaBeija, Kwan Bennett, and Photographic Processing

Alex Fialho, Yale University

9:16 PM

9:36 PM

A Feminist Intersection of an Artist Book and Performance: Carolee Schneemann’s ABC—We Print Anything—In the Cards

Kathleen Wentrack, Queensborough Community College, CUNY

9:36 PM

9:58 PM

Chile’s Travestis: AIDS, Politics, and Post-Dictatorship in Pedro Lemebel’s “Loco afán”

Riley Klug, University of California, San Diego

9:58 PM

10:18 PM

‘Silent, Defenceless Images’: Constrained Bodies in the Photographs of Madame d’Ora

Nicole Entin, J. Paul Getty Museum

10:18 PM

10:38 PM

Exposing Violence: Women Using Experimental Photography to Confront Gendered Violence

Elizabeth Ransom

10:38 PM

10:58 PM

Esther Lewittes Mipaas: Photography for the History of Art and Architecture

Nicole Krup Oest, City College of San Francisco

10:58 PM

11:18 PM

Exploiting the Gaze? Women Workers in the Hula Girl Photo Industry in Wartime Hawai’i

Pippa Oldfield, Teesside University

11:18 PM

11:38 PM

Conclusion: Conference Co-Organizers’ Thank You

Kris Belden-Adams, Texas A&M University
Rose Teanby

11:38 PM