Out of the Shadows, Into Focus: The Case of Jane Clifford

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Event

Start Date

8-3-2026 8:10 AM

Description

Jane Clifford was the wife of one of Spain’s best-known photographers, Charles Clifford (1819-1863). From 1851-1863, she remained discreetly in his shadow, working behind the scenes in his studio, which he left in her capable hands after his untimely death in 1863. Until recently, the work of Jane Clifford was very much relegated to second place in the light of her husband's. Although it is true that his work was much more extensive and far reaching, it is also true that Jane's contributions to the Clifford archive were often overlooked or underappreciated by historians of photography. By analysing in more detail her known work, especially her considerably large commissions from the South Kensington Museum in London, discovering and attributing authorship to new photographs which have come to light in recent years, it has been possible to construct a more realistic profile of a widow, fighting to hold her own against all odds, whose astute business sense, coupled with a need for survival, led to an extraordinary role as an admirable and prolific photographer.

Rachel Bullough Ainscough is an independent photographic historian, specializing in the early photography of Spain and in particular, the image of Spain in the work of British photographers, resident in or visiting Spain in the mid-nineteenth century. Her PhD dissertation Charles Clifford y su imagen de España, (Charles Clifford and his image of Spain) (Universidad Complutense de Madrid, 2019) presented an exhaustive analysis of Clifford’s work and explores the reasons behind this work. She has published and given conference papers in Spanish and English on the Cliffords and their contributions to Spanish photographic history.

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Mar 8th, 8:10 AM

Out of the Shadows, Into Focus: The Case of Jane Clifford

Jane Clifford was the wife of one of Spain’s best-known photographers, Charles Clifford (1819-1863). From 1851-1863, she remained discreetly in his shadow, working behind the scenes in his studio, which he left in her capable hands after his untimely death in 1863. Until recently, the work of Jane Clifford was very much relegated to second place in the light of her husband's. Although it is true that his work was much more extensive and far reaching, it is also true that Jane's contributions to the Clifford archive were often overlooked or underappreciated by historians of photography. By analysing in more detail her known work, especially her considerably large commissions from the South Kensington Museum in London, discovering and attributing authorship to new photographs which have come to light in recent years, it has been possible to construct a more realistic profile of a widow, fighting to hold her own against all odds, whose astute business sense, coupled with a need for survival, led to an extraordinary role as an admirable and prolific photographer.

Rachel Bullough Ainscough is an independent photographic historian, specializing in the early photography of Spain and in particular, the image of Spain in the work of British photographers, resident in or visiting Spain in the mid-nineteenth century. Her PhD dissertation Charles Clifford y su imagen de España, (Charles Clifford and his image of Spain) (Universidad Complutense de Madrid, 2019) presented an exhaustive analysis of Clifford’s work and explores the reasons behind this work. She has published and given conference papers in Spanish and English on the Cliffords and their contributions to Spanish photographic history.