Theses/Dissertations from 2022
Glass House S1:E1 “Sweet Temptations”, Taylor Middleton
Telling My Own Story in My Own World, Haley Dawn Parker
Theses/Dissertations from 2021
Captions for COVID? Hearing Accessibility in Virtual "Zoom" Theatre, Gianna Schuetz
Theses/Dissertations from 2018
Writing IX: Combining Theatre Arts and Public Policy through the Process of Playwriting, John Brahan
Tales as Old as Time: The Origins of Selected Fairy Tales and Their Legacies in Popular Culture, Ann Louise Jackson
Theses/Dissertations from 2014
Trailer Hitched: A One Act Play, Shelby K. Grady
The Chamberlain Estate or: How Investors will Learn to Stop Worrying and Give me Money to Make my Movie, Connor King
Theses/Dissertations from 2013
The Art of Peking Opera: Chinese and European Operatic Traditions: Commonalities and Divergences, Portia Nicole Davis
Welcome to the "Backstage" of Musical Theatre, Emily Erin Wicks
Theses/Dissertations from 2012
Knowing Nothing: The Writing of a Play, Taylor Elaine Ragan
Theses/Dissertations from 2011
An Exploration of Process Observation and Practical Application in Devised Theatre, Anna Elizabeth Donnell
Women Behaving Badly, Taylor Elyse Wood
Theses/Dissertations from 2010
The Creation of Socially Significant Theatre, Rachel Leah Daniel
Theses/Dissertations from 2009
Producing Godspell: An exploration of the concept musical, Dana Joanne Clark
Big and Small: Using Large Scale Puppets in Low Budget Theatre, Lauren E. Wakefield
Theses/Dissertations from 2008
FreeTime!?!? Theatre: The Creation of a Successful Production Company, Brian Martin Tichnell
Theses/Dissertations from 2006
The Whole Shebang: A Directorial Analysis of the Production of Rich Orloff's One Act Produced at the University of Mississippi The 8th and 9th of March 2006, Jennifer Theresa Webre
Pharmacological Dissociation of Anxiety Model in the Chick Separation Stress Paradigm, Robert Thomas Wicks